Trace Mountains Lost in the Country Vinyl LP Coke Bottle Clear Colour 2026

Trace Mountains – Lost in the Country

Coke Bottle Clear Colour

Tracklist:

1. Rock & Roll
2. Dog Country
3. Me & May
4. I am Leaving You
5. Cooper’s Dream
6. Lost in the Country
7. Benji
8. Fallin’ Rain
9. Absurdity
10. Turn to Blue

Under the moniker Trace Mountains, Dave Benton writes music that asks large questions in quietly profound ways. On the projects earliest release, the 2014 compilation Buttery Sprouts & Other Songs, these thoughts appeared as lo-fi scraps of wit andtenderness. But by the time A Partner to Lean On, Trace Mountains debut full-length, arrived in 2018, Bentons perceptive indie rock had matured into more existential meditations about identity, existence, and finding sense in an increasingly chaotic world.

In the two years since A Partner to Lean On, Bentons life has undergone several large changes, namely the dissolution of LVL UP, the indie rock quartet he co-founded in college, and a move to Kingston, a small city in New Yorks Hudson Valley. Composed duringbut not directly inspired bythis transition, Trace Mountains second record, Lost in the Country, reflects Bentons need toreconnect with his inner world.

Prompted by an urge to access a more authentic voice, Lost in the Country finds Benton digging deeper into candid songwriting. I wanted to open myself up and write lyrics that are a little bit more direct, he explains. I write a lot of songs that are about myself and a lot of songs that arent, but on this record, the focus is turned inward either way. The result is Trace Mountains strongest and most assured record yet, 10 songs driven by a desire for introspection and self-discovery. The backdrop for this insularity is an expanse of wide blue skies, seas of trees, and winding roads, ideal locales for thoughts to blossom into greater reflections of the outer world. The slow-burning Absurdity, which Benton modestly says is about hiking and standing in the country, uses the sublimity of the wilderness to comment on technologys inescapable presence. Similarly, the driving opener Rock & Roll transforms the premise of a simple song about being a rocker into a stream-of-consciousness, apocalyptic poem about delusions, regrets, and getting lost in your own limited perspective. This self-examination culminates with the records ambitious and anthemic title track. Channeling the cosmic sprawl of the War on Drugs or Kurt Vile, Benton recalls a moment of deep loneliness and depression outside a concert venue in the Netherlands, and how an unexpected moment of compassion led to a moment of awakening.

Despite its frequently bucolic setting, Lost in the Countrys underlying current is an urgent commitment to Trace Mountains and finding a creative process that requires me to be honest with myself. I know I sing to forget, I sing to hold my breath, to feel the thumping in my chest, Benton sings on Coopers Dream.This line is rooted in the importance of music in my life, its definitely a reflection on that and how I can keep it in my life, because if Im not careful and I dont nurture it, I could lose it. The self-imposed pressure has been empowering for Benton. I really like having full control in making a record, deciding what songs are going to be on it, as well as shaping the vibe or narrative of the whole thing, he says. It brings a peace of mind knowing that I am responsible for just my voice.

While Benton is Trace Mountains songwriter, he asserts that Lost in the Country is by no means a solo effort. Collaboration is crucial to the project and Benton is quick to credit the contributions of his bandmates, which include Jim Hill (Slight Of), Greg Rutkin (LVL UP, Cende), Sean Henry and Susannah Cutler (Yours Are the Only Ears). Its definitely our record, Benton says. I couldnt make this thing without them. After beginning the recording process at Brooklyns Studio G with engineer Matt Labozza, Benton finished Lost in the Country at his home studio in Kingston, where he also added contributions from Carmen Perry (Voice), Stew Cutler (Guitar, Lap Steel), Dan Goldberg (Synthesizer) and ARTHUR (Samples, AB by ARTHUR). It was then mixed by Mike Ditrio and mastered by Ryan Schwabe.